I have seen some rather good work which centres around astronauts being shown in situations they really don’t belong. It occurred to me that I had some rather good spacesuits, and a selection of settings, so perhaps I could have a go at images in the same style.
Then came a request for me to do something similar as an album cover.
This post shows the results so far…
In every case, a LOT of effort went into getting the lighting right. This led to high render times, but nothing too bad for stills. And it has to be done well to make the combination credible. Continue reading “Out of place astronauts”
There’s no doubt that it is possible to spend vast amounts on graphics software – many of the industry standard packages run to thousands of pounds, and even image editors like the full Photoshop are very expensive, (and come with monthly fees too).
But provided you already have a computer, it is possible to get going for little or even nothing. This blog post will explore some of your options.
Be aware though, that this stuff is NOT easy, and whatever package you go for, it will take considerable time and effort to master.
This is a seriously powerful 3d package, with some highly advanced features such as fluid simulation, and hair systems. It is completely free, and open source.
I don’t use Daz Studio much these days, but thought people might be interested in one specific image I was very happy with, from a few years ago.
I don’t like the Daz renderer at all, as I find it ridiculously difficult to control the arrangement of things, and position them accurately. So I generally export them as OBJ, and then rework the textures. This last bit is not too painful, once you get used to what stuff typically needs fixing. However, there’s a ton of very reasonably priced content available for Daz Studio, and this draws me in.
An older image, which I thought I would revive for this blog.
“It is sometimes an appropriate response to reality to go insane.”
Philip K Dick
The setting and two bots are by StoneMason, and exported from Daz software. The head is by Ten-Twenty Four studios. Head case by me, as was the scene, lighting, and so forth, which was done in Lightwave 3d.
I often struggle with characters even in a basic way, and even more when I try and get some sense of story into an image. This is one of very few with a human figure I am happy with.
Finding a relevant quotation from PKD really was the icing on the cake, as I am a huge admirer of his work.